Design by Yellowknives Dene Native Artist Dawn Oman.
"Inukshuks were traditionally built as Native peoples traveled to serve as landmarks, and as a way of letting future passersby know that they were not alone."
Large glass ornaments are 90mm in diameter and are individually packaged in an elegant padded satin box. Information about the designs and the artists are featured on the band on the box and on a card within.
Dawn Oman Inukshuk Glass Ornament
Oscardo is a leading souvenir and gift supplier featuring some of Canada’s most iconic Indigenous artwork. Since 1997, Oscardo has been an industry leader, paying royalties to 24 artists for every product sold and consulting the artists during development to ensure a beautiful product that fairly represents and promotes their artwork. Known for carrying quality items featuring top designs, Oscardo’s products are found in Indigenous-owned stores and wholesalers, boutiques, museums, public and private art galleries, National Parks and government organizations in every province across the country.
Indigenous Ownership: Oscardo is part of the Arctic Beverages family. Arctic Beverages is owned by Athabasca Basin Development, Prince Albert Development Corp and Paskwayak Business Development Corporation, collectively representing 13 First Nations and four northern communities.
- Dawn Oman, Yellowknives Dene Artist Dawn Oman was born in Yellowknife, North West Territories, of Yellowknives Dene and Welsh descent. Directly descended from Chief Snuff, who signed Treaty 8 with the Canadian Government, she began to draw as a means of silently amusing herself and staying out of her foster families' way. Since then, Dawn has exhibited across North America, opened her own Studio Gallery, and won awards and important commissions for her artwork. The Royal Canadian Mint Limited Edition 50 Cent Collectors coin in the 2003 Festival Series commemorating the Great Northern Arts Festival features Dawn's "Rising Star." Dawn's main theme is winter; her snowy bright images capture the essence of the North in the dark time, cold, but full of colour. Her use of swirling colours representing the northern lights is a recognizable and recurrent theme throughout her works, as is her bold use of colour and brilliant combinations. What began as a way to make herself quietly invisible has brought an exuberant and joyful presence to the contemporary Canadian arts scene.